Caribbean Design is not peripheral, it is a language.

Azi JONES is a Jamaican Curator, Researcher and Art Advisor with a love for art and design and a keen interest in the way in which Art, like Design, are shaped by our region’s material intelligences, resourcefulness and cultural exchange. The vision for LEHWE, a curatorial platform founded by Azi Jones in 2024  “includes a me, a we and an us.” She explains “While I may pitch, propose or arrange, the nature of the work right now is all about collaboration and partnership”. 

All of us gathered here.

Beyond the spatial designation of the zócalo however, in his presentation, Guevara the Exhibition’s Curator highlighted the collective significance of the zócalo as a space for communal archive, memory, existence and survival “… the point of coming together; a space of collective gathering; a site for tactical manoeuvering, laughter, joy, celebration. A site for protests and acknowledgement of an Other.”

The Work of a Lifetime

My story with Jackie Hinkson began over 30 years ago. I keep close vivid memories of flipping through large calendars featuring the most luminous and vibrant watercolour paintings of Caribbean landscapes and seascapes printed by an insurance company at that time I believe. The paper stock for these calendars was thick and textured, with the distinct scent of fresh new school books.

Light movements.

Encouraged and supported by his father to pursue Art-making from an early age, Christopher or Chris, fondly remembers his earliest memories of Art: watching his dad sketch outside the family home, his father’s gift to him of a Van Gogh painting print of “Tree” which he keeps close, insightful conversations with Trinbagonian career artist Jackie Hinkson for his A-level research project…the many, not-so-minute details, which light the way for an aspiring artist.

A conversation with Lesley-Ann Brown on freedom in a post-colonial world.

Decolonial Daughter is the memoir of a bold, independent black woman seeking freedom across different worlds marked by the heavy weight of history and empire – from Trinidad in the 1980s, to Brooklyn in the 1990s, to Europe today. As Brown writes these letters to her son, she faces the ghosts of history which still haunt our time.

INWARD GAZING with Blitz “The Ambassador” Bazawule

Blitz “The Ambassador” Bazawule is a Filmmaker and Musician born in Ghana and based in New York. Blitz’s short films Native Sun (2012) and Diasporadical Trilogìa (2016) premiered at New Voices in Black Cinema and Blackstar Film Festival respectively. Blitz is also the founder of the Africa Film Society, an organization focused on the preservation […]