15-30 NOVEMBER 2025

Opening night: 15 November, 6pm – 8.30pm

63 Rosalino Street, Woodbrook, TRINIDAD & TOBAGO

About the exhibition

Vanishing Lines / Lignes de Fuite

Revisiting ideas of home, space, agency and freedom of movement – for the past few years I have set out to create different types of maps, cartographies of “the islands”, our Caribbean space. I am interested in the many layers which coexist, the messages written underneath and embedded in our Land-s and by extension – landscapes of the Global South.

What really happened here?
And who does that make us?

In this exhibition, an ongoing series – I am thinking about marronage within the context of Caribbean colonial History as a point of departure, while also reflecting on the decision and acts of marronnage in the present.

Marronnage (n): The escape of enslaved persons during the colonial era of the Caribbean, the Americas.

A Maroon/ Maroons/ Runaway-s (n): Africans who ran away from enslavement and forced labour on plantations, ruled by colonial powers and Empires of the North in the Caribbean, Americas and previously colonised countries. Runaways also known as maroons refer to all previously enslaved and indentured individuals who escaped the atrocities of the colonial plantation systems in a permanent way and who managed to reimagine, rebuild and re-create new existences for themselves in free independent settlements.

What are we running from?
How do we escape?
Where are we hiding?
Where are we running to?
How will we make it to the other side?
And, what do we create in our fugitive state, to help us heal, survive and thrive?

In light of increasing geopolitical crises around the world, increasing xenophobia, extremism, border politics, I started to reflect on the oppressive structures, violence and modes of violence, which all force us as humans, citizens, to seek escape at any given time.
To drop everything and run…

I see parallels between the world that humans have built during the anthropocene, and feel somehow that there are inherited systems of oppression, invasion, exploitation, violence, Land theft, extraction, injustice, discrimination… which continue to create precarious lives and uncertain futures for many, forcing individuals, entire families to abandon their native lands, to run far, to risk it all and find escape…

Vivre libre ou mourir.
Louis Delgres

The escape and escape routes so necessary – for survival, human dignity, joy, care, liberation, independence, space, time, love, freedom to dream and create alternative futures.

Our time here as human beings reminds us that so many of us are the direct descendants of our maroon ancestors. So many of us are not free and urgently need to escape.
So many of us are the runaways of our present time.

Maroon legacies and runaway stories for me are therefore experiences of migration, immigration and exile – chosen or forced – which simultaneously carry mappings of supernatural courage, resistance, rebellion, ingenuity and the wildest of dreamings…

 

About the curator

Célia Potiron

Célia Potiron, born in 1986, is an author, cultural essayist and Curator from Martinique based in Paris. Her work explores orality, writing, research and archiving as a means of reappropriating her Caribbean heritage in a postcolonial context. Passionate about literature, music,  Caribbean cultures, and particularly those emanating from Martinique, Célia has spent the last eight years producing cultural audio content, and is now focused on critical writing.

Growing up, Celia was very much influenced by Radio APAL, a pro-independence, anti-colonialist station in Fort-de-France, founded in 1981. This radio station, megaphone of the struggle for the emancipation of the people of Martinique, profoundly influenced her approach to socio-political and identity issues. In 2017, she launched the MounWoke podcast, focusing on themes such as hair politics, colorism, gender and sexual identity in Martinique. From 2017 to 2020, she co-hosted Piment, a popular show broadcast on Radio Nova and Rinse FM, which focused on cultural and social issues related to black communities in France.

Célia Potiron is co-author of Le Dérangeur: petit lexique en voie de décolonisation (Hors d’Atteinte, 2020), an essay-lexicon that extends the work of the eponymous radio program through literature, with a tone both humorous and incisive. The book was ranked among the best sellers in French Guiana in 2021. Potiron’s writings have been published in magazines such as Air Afrique (2023) and Le 1 Hebdo (2022). Her work has been shown in cultural institutions such as Palais de Tokyo, Musée d’Art Moderne de Saint-Etienne and the Fonds régional d’art contemporain de Lorraine (France).

celia-potiron.com

Curator’s Notes/ Quotes

“Adeline Grégoire (re)explores painting, collage, and acrylic. She works with organic materials and found objects that have been liberated from their original function, to find a second life. Red, green and blue burst from her pieces, to affect and penetrate those who view and engage with them. These colors embody the land, the sea, bloodshed, struggles, as well as the victories and defeats of the historical maroons, the runaways. In their wake, they leave scents of wood, earth, and chadon beni – like memories etched into the materials which she carefully chooses.”

Celia Potiron

“Through the greens of the hills and the blues of the ocean, Adeline Grégoire thus invites us to look beyond the harmony of colors to feel and connect with a land still soaked with the blood of those who had chosen freedom— alive or dead.”

Celia Potiron

15-30 NOVEMBER 2025

LOFTT Gallery
63 Rosalino Street, Woodbrook
TRINIDAD & TOBAGO

Opening night 15 November 2025, 6pm – 8.30pm